About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2016 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Friday, April 28, 2017

Metropolitan Opera Preview: Cyrano de Bergerac

"And all you can come up with is 'Big Nose.'"
by Paul J. Pelkonen
This isn't The Nose: Roberto Alagna as Cyrano de Bergerac.
Photo by Ken Howard © 2017 The Metropolitan Opera.
Franco Alfano is remembered today as a footnote. He's the guy saddled with the unenviable task of writing the final pages of Giacomo Puccini's last opera Turandot in 1924. That completion was dismissed in 1924 by Toscanini himself. However, his six operas survive. This is the first Metropolitan Opera revival of Cyrano de Bergerac.

Concert Review: The Price of Reinvention

Soprano Natalie Dessay returns to Carnegie Hall.
by Paul J. Pelkonen
Natalie Dessay. Photo © Sony Classical.
Natalie Dessay is no stranger to adversity. Throughout her career, the French soprano has battled ahead, undergoing surgery to keep her voice in fighting trim and dazzling audiences with a high coloratura that was at home in Donizetti, Mozart and Richard Strauss. Ms. Dessay retired from the operatic stage in 2013, with her last Metropolitan Opera appearances coming in a tumultuous run of Handel's Giulio Cesare in Egitto. Four years went by until her return, which came on Wednesday night upon the hallowed boards of Carnegie Hall.

Wednesday, April 26, 2017

Opera Review: A Volga Display of Power

Juillard Opera mounts Kat'a Kabanova.
by Paul J. Pelkonen
Bad romance: Boris (Gerard Schneider, left) woos the heroine (Felicia Moore) in Juilliard's Kát'a Kabanova.Photo by Hiroyuki Ito for the Juilliard School. 
In retrospect, it is a pity that the Czech composer Leos Janacek did not find fame and fortune as an opera composer until the 1916 premiere of the revised version of Jenůfa, when the composer was 62. Káťa Kabanová, based on a Russian play, was written five years later. On Tuesday night, at the third of three performances at Peter Jay Sharp Theater, the Juilliard Opera showed that this rarely performed tragedy remains one of the composer's most potent creations.

Friday, April 21, 2017

Concert Review: Up the Down Banister

The noisy return of the New York Philharmonic.
by Paul J, Pelkonen
Pianist Jonathan Biss doing what he does.
Photo from Onyx Records.
The New York Philharmonic are back from their 2017 European tour. Thursday night marked the ensemble’s return to its home stage at David Geffen Hall with a program of heavyweight orchestral works by Berlioz and Elgar, flanking a pair of interconnected piano concertos with soloist Jonathan Biss. At the podium: the young Irish conductor Courtney Lewis, making his subscription debut.

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Critical Thinking in the Cheap Seats

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Since 2007, Superconductor has grown from an occasional concert or CD review to a near-daily publication covering classical music, opera and the arts in and around NYC, with excursions to Boston, Philadelphia, and upstate NY. I am a freelance writer living and working in Brooklyn NY. And no, I'm not a conductor.